Last week we were graced with the privilege of appearing on the cover of Pittsburgh's City Paper. We had a good time working with the photographer Heather Mull on the photo shoot. Per usual, our initial ideas for the shoot were vastly ambitious and considering there was no budget, vastly unlikely. As necessity is the mother of invention, we climbed out onto the roof of Nic's apartment and Bloomfield and took some pictures. Of course, the local store Eons was kind of enough to lend us some very fine duds that came in quite handy. In the end, attached is the link for you to check out the story and some pics. I hope you enjoy the story.
Click on the title above, the one that says CHARACTER ARC or..
In case you don't see the link, here it is again: http://www.pittsburghcitypaper.ws/gyrobase/Content?oid=oid%3A65863
In other news, we have a big announcement to make soon. So stay on the edge of your seat and check back early and often.
Later,
Mark
Monday, July 27, 2009
Friday, July 24, 2009
DAY PLAYERS
If you've ever seen the show "Extra's" with Ricky Gervais, let me say right now that it is not even remotely what it's like to be an extra in a film. Of course it's not meant to be a documentary of a day in the life of an extra. It is, however, very funny.
Watching it recently, I was reminded of a long, miserable night Nic and I spent a few years back as extras on a motion picture. Out drinking the night before, a friend told me he was going to be an extra in a picture being filmed right here in the film capital of western Pennsylvania. I was intrigued. It sounded like a different way to spend a Saturday night. Also, being a huge movie lover, I was interested in watching the actors and crew work. It also helped that the film was "The Mysteries of Pittsburgh" based on the debut novel by Michael Chabon, a writer I quite enjoy. (Check out "The Adventures of Kavalier & Clay". Those Pulitzer folks liked it so much, they gave it some sort of ribbon.). One call to the extra casting director and I was hired.
The next night, Nic, my brother Greg and I arrived at a rundown warehouse in the Strip District neighborhood around 6 PM. We checked in with the casting director and were quickly ushered into a makeshift cafeteria and began what we would spend the majority of the night doing: waiting.
A few long hours crawled by before we were called to wardrobe. The picture being a period piece set in the early 80's, the clothes we got were somewhat uncomfortable, especially the jeans. Apparently, men wore their dungarees to their belly button in the ancient year of 1983. I wouldn't know. I was still in short pants back then.
Next up, more waiting. We had smuggled in quite a few cans of Sparks, a hybrid Malt Liquor/Energy Drink, recently outlawed in the contiguous 48. It was a Saturday Night after all. Sparks helped us pass the time, though I can't say the same for my nervous system.
By the time the Winter Olympics rolled around, the entire motley crew of 100 or so "day players" were called upstairs to shoot our big scene.
I'm ready for my spotlight, Mr. De-- sorry, I won't even finish it. I'm a fucking extra.
First, a little background info.
Presently, I have no delusions or ambitions of being an actor. It was a very different story when I was twelve and my goal in life was to be on "Saturday Night Live". After months of persistence my mother signed me up for acting classes along with my two brothers. As anybody with multiple siblings knows, growing up, what you do, your brothers/sisters do. Unfortunately for me, my interest in acting was only equaled by my brothers disinterest.
Every Saturday morning we would trek to the local Arts center in the Ford Taurus station wagon. I can't say if I was a promising actor, most likely not. I do remember enjoying it quite a bit at first. But it was not to be.
My dream was cut short though as A) I quickly grew bored and more importantly B) my brothers and I were thrown out of the class.
It seems my kid brother Greg slide tackled another student who was practicing acting on the phone. Unprovoked, Greg took a running start and slid into this kid's legs, sending the poor would be Treat Williams flying into the air, along with the phone and the table it had been resting on. The kid wasn't seriously hurt. But we Solomich boys were out, personas non grata. Alas, my acting dreams were dashed. Often I wonder if my life would be different now had the floors not been shiny, slick linoleum. But, I digress...
Back to the making of "Mysteries of Pittsburgh". We were meant to be the audience at a "punk club", which looked just about how a Hollywood art director would envision a "punk club", i.e. completely contrived and cliche. The three of us were lucky enough to have met one of the principals. While Meryl Streep she may not be, Sienna Miller sure is easy to look at. Her co-stars were Peter Saarsgard and Jon Foster (had to look that one up). Nick Nolte was in the movie as well, but unfortunately he wasn't in this particular scene.
Saarsgard seemed like a nice guy, joking around with the crew most of the time while the Foster guy struck me as nervous and humorless.
The director, much younger than I expected, had made one picture before, the emotional tour-de-force otherwise known as "Dodgeball". Too bad, they weren't filming that instead.
The Big Scene
"Action"
"Cue "punk" music.
The extras start pseudo slam dancing-- jumping up and down mostly. After five seconds, the music abruptly stops and we continue dancing, pretending this is the most raucous 'punk' gig ever. It is a very strange atmosphere, I must say.
In the midst of the sea of awkwardly attired 'punks', the actors walk through the crowd, hammily delivering their lines. Paddy Chayefsky, this is not.
"Cut", yells the director. "Good work everybody. Let's try it again".
And so forth forevermore.
Fast forward four hours. We've finally finished our star-making performances. The casting director announcesthat while most of us can go home, they need some of us for another scene. We don't need to mull this one over. It's nearly 6 AM.
As we're walking to collect our meager pittance ($50 for nigh on 12 hours!?!) I spy them filming the next scene: a mohawked 'punk' giving a simulated blow job to Saarsgard in the "punk" clubs' bathroom. I don't need to be here for this one. I'll be in my trailer Sienna.
On the drive home, all three of us agree we would never be extra's again. It's completely not worth it. But hold on. Maybe it was. I've got the story, if you can call it that, to share with you, dear reader. That's gotta be worth something, right?
Three years later, I still haven't seen "Mysteries of Pittsburgh". Apparently it's terrible and no distributor in their right mind wants to touch it.
Still a good book though.
Later,
Mark
Watching it recently, I was reminded of a long, miserable night Nic and I spent a few years back as extras on a motion picture. Out drinking the night before, a friend told me he was going to be an extra in a picture being filmed right here in the film capital of western Pennsylvania. I was intrigued. It sounded like a different way to spend a Saturday night. Also, being a huge movie lover, I was interested in watching the actors and crew work. It also helped that the film was "The Mysteries of Pittsburgh" based on the debut novel by Michael Chabon, a writer I quite enjoy. (Check out "The Adventures of Kavalier & Clay". Those Pulitzer folks liked it so much, they gave it some sort of ribbon.). One call to the extra casting director and I was hired.
The next night, Nic, my brother Greg and I arrived at a rundown warehouse in the Strip District neighborhood around 6 PM. We checked in with the casting director and were quickly ushered into a makeshift cafeteria and began what we would spend the majority of the night doing: waiting.
A few long hours crawled by before we were called to wardrobe. The picture being a period piece set in the early 80's, the clothes we got were somewhat uncomfortable, especially the jeans. Apparently, men wore their dungarees to their belly button in the ancient year of 1983. I wouldn't know. I was still in short pants back then.
Next up, more waiting. We had smuggled in quite a few cans of Sparks, a hybrid Malt Liquor/Energy Drink, recently outlawed in the contiguous 48. It was a Saturday Night after all. Sparks helped us pass the time, though I can't say the same for my nervous system.
By the time the Winter Olympics rolled around, the entire motley crew of 100 or so "day players" were called upstairs to shoot our big scene.
I'm ready for my spotlight, Mr. De-- sorry, I won't even finish it. I'm a fucking extra.
First, a little background info.
Presently, I have no delusions or ambitions of being an actor. It was a very different story when I was twelve and my goal in life was to be on "Saturday Night Live". After months of persistence my mother signed me up for acting classes along with my two brothers. As anybody with multiple siblings knows, growing up, what you do, your brothers/sisters do. Unfortunately for me, my interest in acting was only equaled by my brothers disinterest.
Every Saturday morning we would trek to the local Arts center in the Ford Taurus station wagon. I can't say if I was a promising actor, most likely not. I do remember enjoying it quite a bit at first. But it was not to be.
My dream was cut short though as A) I quickly grew bored and more importantly B) my brothers and I were thrown out of the class.
It seems my kid brother Greg slide tackled another student who was practicing acting on the phone. Unprovoked, Greg took a running start and slid into this kid's legs, sending the poor would be Treat Williams flying into the air, along with the phone and the table it had been resting on. The kid wasn't seriously hurt. But we Solomich boys were out, personas non grata. Alas, my acting dreams were dashed. Often I wonder if my life would be different now had the floors not been shiny, slick linoleum. But, I digress...
Back to the making of "Mysteries of Pittsburgh". We were meant to be the audience at a "punk club", which looked just about how a Hollywood art director would envision a "punk club", i.e. completely contrived and cliche. The three of us were lucky enough to have met one of the principals. While Meryl Streep she may not be, Sienna Miller sure is easy to look at. Her co-stars were Peter Saarsgard and Jon Foster (had to look that one up). Nick Nolte was in the movie as well, but unfortunately he wasn't in this particular scene.
Saarsgard seemed like a nice guy, joking around with the crew most of the time while the Foster guy struck me as nervous and humorless.
The director, much younger than I expected, had made one picture before, the emotional tour-de-force otherwise known as "Dodgeball". Too bad, they weren't filming that instead.
The Big Scene
"Action"
"Cue "punk" music.
The extras start pseudo slam dancing-- jumping up and down mostly. After five seconds, the music abruptly stops and we continue dancing, pretending this is the most raucous 'punk' gig ever. It is a very strange atmosphere, I must say.
In the midst of the sea of awkwardly attired 'punks', the actors walk through the crowd, hammily delivering their lines. Paddy Chayefsky, this is not.
"Cut", yells the director. "Good work everybody. Let's try it again".
And so forth forevermore.
Fast forward four hours. We've finally finished our star-making performances. The casting director announcesthat while most of us can go home, they need some of us for another scene. We don't need to mull this one over. It's nearly 6 AM.
As we're walking to collect our meager pittance ($50 for nigh on 12 hours!?!) I spy them filming the next scene: a mohawked 'punk' giving a simulated blow job to Saarsgard in the "punk" clubs' bathroom. I don't need to be here for this one. I'll be in my trailer Sienna.
On the drive home, all three of us agree we would never be extra's again. It's completely not worth it. But hold on. Maybe it was. I've got the story, if you can call it that, to share with you, dear reader. That's gotta be worth something, right?
Three years later, I still haven't seen "Mysteries of Pittsburgh". Apparently it's terrible and no distributor in their right mind wants to touch it.
Still a good book though.
Later,
Mark
Friday, July 10, 2009
THE GREATEST THING ON YOUTUBE
No, it's not a fat guy miming to a song in front of his computer and it's not some cutesy kid getting scared by his parents. It's a clip from the Dick Cavett show, from way back in 1970. I've come across many clips from his show and it makes me sad that late night shows used to be like this, with amazing guests. And look what we have now, "Jaywalking"? I digress...
This is a clip of John Cassavettes, Peter Falk, and Ben Gazzarra promoting their movie "Husbands". Obviously they're totally wasted, especially Falk. This really cracked me up, especially all the pratfalls. If you're unfamiliar with Cassavettes, do yourself a favor and check out his pictures. May I suggest "Killing of a Chinese Bookie", "Minnie and Moskowitz" or "Husbands".
The clip takes a bit to get going, but once these guys come out, it's really funny and entertaining. This is what late night talk shows should be, but they're really aren't guests like this anymore. As a bonus, the commercials are included. It's a great time capsule for a time I never knew, but seemed like alot more fun than today.
These are parts 1 and 2 out of 4 clips. Check out the rest of the episode.
Oh and just for fun, here's a clip of Cassavettes punching dear old Ronnie Reagan in a clip from "The Killers" in 1964.
Later,
Mark
This is a clip of John Cassavettes, Peter Falk, and Ben Gazzarra promoting their movie "Husbands". Obviously they're totally wasted, especially Falk. This really cracked me up, especially all the pratfalls. If you're unfamiliar with Cassavettes, do yourself a favor and check out his pictures. May I suggest "Killing of a Chinese Bookie", "Minnie and Moskowitz" or "Husbands".
The clip takes a bit to get going, but once these guys come out, it's really funny and entertaining. This is what late night talk shows should be, but they're really aren't guests like this anymore. As a bonus, the commercials are included. It's a great time capsule for a time I never knew, but seemed like alot more fun than today.
These are parts 1 and 2 out of 4 clips. Check out the rest of the episode.
Oh and just for fun, here's a clip of Cassavettes punching dear old Ronnie Reagan in a clip from "The Killers" in 1964.
Later,
Mark
Thursday, June 25, 2009
WACKO JACKO BITES THE BIG ONE
Pittsburgh, PA (Reuters)- With the untimely demise of the "King of Pop", Michael Jackson, the young, relatively unknown rock group The Takeover UK are holed up in their compound/Head Quarters here in their hometown on the edge of Western Pennsylvania. The band, according to spokesman Charmaine DeLillo, are reeling from the news. "Each member of the band has the utmost respect and regard for Michael Jackson's music. He was the best singer, the best dancer, and at one point, the best-looking motherfucker on the block. We are saddened and dismayed to hear of his unfortunate and far too early passing. We ask for our privacy at this difficult time to mourn the loss of such a revered figure", said DeLillo.
The Takeover UK first collaborated with Mr. Jackson, or Wacko Jacko as they lovingly nicknamed him, on the previously unreleased B-side "Come Get Sum", which was to appear as the flip side of Jackson's smash hit, "Black or White" released in 1991. A controversy over the lyrics and artwork to the song forced Sony, Jackson's label, to replace it with a less sexually/politically offensive number. The two artists never collaborated again.
The Takeover UK first collaborated with Mr. Jackson, or Wacko Jacko as they lovingly nicknamed him, on the previously unreleased B-side "Come Get Sum", which was to appear as the flip side of Jackson's smash hit, "Black or White" released in 1991. A controversy over the lyrics and artwork to the song forced Sony, Jackson's label, to replace it with a less sexually/politically offensive number. The two artists never collaborated again.
Tuesday, June 16, 2009
fresh old shit
hey.. i wanna introduce myself.
I'm Derek, the new bassist of Takeover. It took me a while to post here because I wanted to feel like a member of the band first. I joined in February, I've been on a couple tours and had a few screaming matches with the guys. I paid my dues man... now I finally feel like a true member of the band. That said I wanna share a bit of myself. Believe it or not.. the guys in the band made me responsible for recording our upcoming release. I feel honored but I also hate them for it, I'll be going deaf at a young age.
So I'm not gonna lie, I'm "trying" to find optimism in the world of music. I truly believe that our current day industry is the biggest pile of horseshit in the world. I hope you are with me. At the end of the day I just want peace in my heart. I want songs with longevity. Did you notice that modern pop singles are hot when they're first released, and 2 months later it's considered "old, or outdated?" Why is that? I'll tell you.. there's no passion put into the songs anymore. All the wrong assholes are in charge of everything. We could really use some radio play but we're gonna do honest work until we get there. That means no fucking people over.. I thought of breaking the law or burning certain venues down, that won't help, it will only put me in jail and then the band won't do shit. fuck getting press for doing stupid shit. I'm over that idea.
People know me as being a close minded person who only listens to 60's girlgroups.. That's kinda true. So I guess my point is.. don't fall into an unsacred path. Here's some shit to move your soul, if it doesn't then keep watching till it does.
Here's a song that I just adore lately. it was written by Carol King and Gerry Goffin. performed by the beautiful Dusty Springfield. this crazy bitch used to throw plates back stage before performances to relive stress. I love it...
http://www.youtube.com/watch?v=3PKXE5qvJ3E
mwa
-love derek
I'm Derek, the new bassist of Takeover. It took me a while to post here because I wanted to feel like a member of the band first. I joined in February, I've been on a couple tours and had a few screaming matches with the guys. I paid my dues man... now I finally feel like a true member of the band. That said I wanna share a bit of myself. Believe it or not.. the guys in the band made me responsible for recording our upcoming release. I feel honored but I also hate them for it, I'll be going deaf at a young age.
So I'm not gonna lie, I'm "trying" to find optimism in the world of music. I truly believe that our current day industry is the biggest pile of horseshit in the world. I hope you are with me. At the end of the day I just want peace in my heart. I want songs with longevity. Did you notice that modern pop singles are hot when they're first released, and 2 months later it's considered "old, or outdated?" Why is that? I'll tell you.. there's no passion put into the songs anymore. All the wrong assholes are in charge of everything. We could really use some radio play but we're gonna do honest work until we get there. That means no fucking people over.. I thought of breaking the law or burning certain venues down, that won't help, it will only put me in jail and then the band won't do shit. fuck getting press for doing stupid shit. I'm over that idea.
People know me as being a close minded person who only listens to 60's girlgroups.. That's kinda true. So I guess my point is.. don't fall into an unsacred path. Here's some shit to move your soul, if it doesn't then keep watching till it does.
Here's a song that I just adore lately. it was written by Carol King and Gerry Goffin. performed by the beautiful Dusty Springfield. this crazy bitch used to throw plates back stage before performances to relive stress. I love it...
http://www.youtube.com/watch?v=3PKXE5qvJ3E
mwa
-love derek
Wednesday, June 10, 2009
The Drought is Over
Well, we're about 80% done with our first song("Across the Car") of what will hopefully be our next release. We've been recording in Derek's basement for the last three weeks in an attempt to get something a little more homegrown. It's sounding pretty good--and by good I mean bombastic.
It's a hell of a driving song. No, not driving guitars, I mean it's the kind of song that'll sound best with a red left arm slung out of the drivers side window, while you're on your way home from work. I'm excited to see how people react to it. We've never done anything like it before.
"Golden Age" is on deck and although we've been playing it since last Christmas, it's going to be nice to finally get it on wax. . . or silicon, or whatever. I'll keep you posted.
Luv,
Nic
It's a hell of a driving song. No, not driving guitars, I mean it's the kind of song that'll sound best with a red left arm slung out of the drivers side window, while you're on your way home from work. I'm excited to see how people react to it. We've never done anything like it before.
"Golden Age" is on deck and although we've been playing it since last Christmas, it's going to be nice to finally get it on wax. . . or silicon, or whatever. I'll keep you posted.
Luv,
Nic
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